For Example
By Adrienne Rich
November 23, 1963
Sometimes you meet an old man
whose fist isn’t clenched blue-white.
Someone like that old poet
whose grained palm once travelled
the bodies of sick children.
Back in the typed line
was room for everything: the blue
grape hyacinth patch,
the voluntary touch
of cheek on breast, the ear
alert for a changed heartbeat
and for other sounds too
that live in a typed line:
the breath of animals, stopping
and starting up of busses,
Attention once given
returned again as power.
An old man’s last few evenings
might be inhabited
not by a public—
fountains of applause off
auditorium benches,
tributes read at hotel banquets—
but by reverberations
the ear had long desired,
accepted and absorbed.
The late poem might be written
in a night suddenly awake
with quiet new sounds
as when a searchlight plays
against the dark bush-tangle
and birds speak in reply.